洗牌
简介
《洗牌》讲述的是什么故事？
《洗牌》典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。
This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).
After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.
1、《洗牌》是哪一年上映的？
《洗牌》是石井岳龙于1981年拍摄的一部经典短片。此片开创日本当代短片的先河，《洗牌》上映时票房稳坐前三，创下当年纪录。当时中岛阳典,Tatsuya,Mori,室井滋均为最佳主角，中岛阳典,Tatsuya,Mori,室井滋以精彩演技和突出形象，奠定在日本影坛地位。中岛阳典,Tatsuya,Mori,室井滋饰演角色造型多年后仍为人所模仿。石井岳龙之前曾被人怀疑其能力，而《洗牌》却奠定石井岳龙短片风格。《洗牌》首映时曾获海外短片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1981年代）日本（日本）优秀短片齐名。
2、被称为短片的开先河之作的《洗牌》，是石井岳龙最好的作品吗?
从石井岳龙斩获短片最佳导演 我就觉得这部《洗牌》是他最好的短片。虽然石井岳龙后来还拍出来了评价特别好的短片，但是《洗牌》是他短片的代表作品。
3、《洗牌》为什么可以成为经典？
提起日本，人们就肯定会说出《洗牌》的名字。这部由石井岳龙导演，中岛阳典,Tatsuya,Mori,室井滋主演的《洗牌》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连石井岳龙导演和中岛阳典,Tatsuya,Mori,室井滋，都没想到这部短片会得到这样好的反响。石井岳龙先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《洗牌》开拍之前，中岛阳典,Tatsuya,Mori,室井滋已经有4年无戏可拍，而中岛阳典,Tatsuya,Mori,室井滋主演的短片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在短片中投入的热情，是我们难以想象的，其实《洗牌》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典短片，也成就了他们自己！
4、如何评价《洗牌》?
《洗牌》口碑非常好深受广大观众喜爱，《洗牌》一经播放立刻引来无数人点赞，不仅中岛阳典,Tatsuya,Mori,室井滋演的好而且该短片故事情节也非常紧凑，大海影视（dgbymy.com）观看起来特别流畅同时还能扣人心弦，虽然目前《洗牌》收视率一般但是该片目前受欢迎程度已经名列前茅。该短片主演中岛阳典,Tatsuya,Mori,室井滋，她在该短片中的演技可圈可点，受到中岛阳典,Tatsuya,Mori,室井滋演的好而且该短片迷的认可。
5、《洗牌》短片的主要内容
《洗牌》是一部短片短片，由导演：石井岳龙执导，主演：中岛阳典,Tatsuya,Mori,室井滋
《洗牌》典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。
This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).
After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.
